1.
The Vaghari community were nomads who moved along the coast of the ____ river.
2.
The Chitara family has __ hundreds years of experience in this art form..
3.
The Chitara family come from the _____ taluka of Ahmedabad.
4.
Traditionally Mata ni Pachedi was used as a ____ resembling a ceiling and backdrop in temporary wooden shrines.
5.
Her block is placed in the centre of the ‘Pachedi’. She is shown seated on a rooster which symbolizes innocence.
6.
She is symbolized only by a fly whisk made of peacock feathers.
7.
Traditionally ___ and black were the colors used, with the surface of the material as the third color.
8.
She is usually placed on the third row from the top of the right side. A pedestal or a flower forms her base.
9.
She is also known as ‘Siddhi’ and is placed in the centre or on either side of the Pachedi.
10.
She is also known as ‘Shikotar Mata’ and is placed in the central panel. She is shown travelling in a boat on water which has fish.
11.
This deity is placed on the top arch of the Mata’s temple.
12.
He is placed along with Ganesha on the top panel above the central figure.
13.
This is the symbol of the sun which controls day and night.
14.
These are usually found flanking the goddess.
15.
These paintings are quite like the phad tradition from Rajasthan and ___ from south India.
16.
This Mata is known to be powerful enough to predict the nature of incoming monsoon.
17.
This Mata is one of the most important goddesses for the Vaghris.
18.
She offers protection from rabies.
19.
The art has also incorporated a vast array of artificial colours including sap green, yellow ochre and ____.
20.
She is the consort of Brahma, the Hindu god of creation and is portrayed along with other goddesses on the middle left side of the central Mata.
