1.
The narration of legends depicted in Phad is called this.
2.
Which colour is used in the background of Phad?
3.
Which hand-woven cloth was traditionally used for creating the Phad scrolls?
4.
In Phad,which deity is celebrated as an avatar of Vishnu?
5.
The heroes depicted in the Phad scrolls are known as ____
6.
For __ hundred years the Phad painting been in practice.
7.
When does the traditional Phad storytelling performance begin?
8.
Bhopa’s female counterpart accompanies him by singing and dancing is called _____.
9.
Phad paintings are a visual narration of which local hero’s legends?
10.
This tree is the most common motifs used to in Phad paintings.
11.
The artisan makes a rough plan of the painting in the colour ____.
12.
After soaking in water overnight, the Phad is stiffened with starch from rice or wheat flour, stretched, dried in the sun and rubbed with a ____ to smoothen the surface and give it a sheen.
13.
This colour is applied at the end as outlines.
14.
The scale of each figure in Phad painting is determined by their ___ status.
15.
Shree Lalji Joshi, a Padma Shri awardee, decided to set up in this school in Bhilwara, which is today is known as ‘Chitrashala’
16.
He spurred the innovation of painting just one of the mini-stories in smaller Phad paintings.
17.
He is another renowned Phad artist who was one of the only artist to be taught by Shree Lal Joshi who did not belong to the Joshi clan.
18.
The colours originally applied to Phad were in ____ form.
19.
There are two sets of themes in Phad, one being the portrayal of the Hindu deities and other being the depiction of ____.
20.
In which place, is the Phad performance held annually?
